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Baerenreiter Verlag
\nISBN 978-3-7618-1595-3<\/p>\n
A considerable amount of instrumental solo music written since 1930 has been dedicaten to the flute. The main reason for this is the flute\u2019s versatility in creating a wide array of sounds, allowing for a sophisticated extension of traditional methods of performance. As a result of the constructive and experimental coorperation between performers and composers- new performance techniques and notational forms habe been developed. The flute has rapidly emancipated itself to become a multi-sound instrument, resulting in new challenges for interpreters, composers and teachers. It is thus the goal of this book to serve as a practice-oriented handbook , in particular, for students, teachers, and composers.<\/p>\n
Ein gro\u00dfer Anteil der instrumentalen Sololiteratur nach 1930 ist f\u00fcr die Querfl\u00f6te geschrieben worden. Grund daf\u00fcr sind die vielf\u00e4ltigen klanglichen M\u00f6glichkeiten der Fl\u00f6te, die eine differenzierte Erweiterung der herk\u00f6mmlichen Spielweise erlauben. In zahlreichen konstruktiven und experimentierfreudigen Kooperationen von Instrumentalisten und Komponisten wurden neue Spieltechniken und Notationsformen entwickelt; die Fl\u00f6te emanzipierte sich so zusehends zum multiplen Klanginstrument.<\/p>\n
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Baerenreiter Verlag ISBN 978-3-7618-1595-3 A considerable amount of instrumental solo music written since 1930 has been dedicaten to the flute. The main reason for this is the flute\u2019s versatility in creating a wide array of sounds, allowing for a sophisticated extension of traditional methods of performance. As a result of the constructive and experimental coorperation … <\/p>\n