{"id":340,"date":"2019-03-30T18:14:11","date_gmt":"2019-03-30T17:14:11","guid":{"rendered":"http:\/\/carinlevine.de\/wordpress\/?page_id=340"},"modified":"2019-04-10T22:45:57","modified_gmt":"2019-04-10T20:45:57","slug":"the-techniques-of-flute-playing-ii","status":"publish","type":"page","link":"https:\/\/carinlevine.de\/wordpress\/the-techniques-of-flute-playing-ii\/","title":{"rendered":"The Techniques of Flute playing II"},"content":{"rendered":"<p><img decoding=\"async\" loading=\"lazy\" class=\"alignright size-medium wp-image-336\" src=\"http:\/\/carinlevine.de\/wordpress\/wp-content\/uploads\/2019\/03\/Bvk1788c-219x300.jpg\" alt=\"\" width=\"219\" height=\"300\" srcset=\"https:\/\/carinlevine.de\/wordpress\/wp-content\/uploads\/2019\/03\/Bvk1788c-219x300.jpg 219w, https:\/\/carinlevine.de\/wordpress\/wp-content\/uploads\/2019\/03\/Bvk1788c.jpg 600w\" sizes=\"(max-width: 219px) 100vw, 219px\" \/><\/p>\n<p>Baerenreiter Verlag<br \/>\nISBN 978-3-7618-1788-9<\/p>\n<p>Because of their versatility in creating a wide array of sounds, the piccolo, alto and bass flutes are, like the C flute, also exceptionally well adapted to the challenges of new music. Recent years have seen the development of new forms of notation and experimentation with many new performance techniques. Like the first volume, the present book is also intended to serve a a practice-orientated handbook for students, teachers, and composers.<\/p>\n<p>Neben der C.Fl\u00f6te sind auch die Piccolo-,Alt,-und Bassfl\u00f6te durch ihre vielf\u00e4ltigen klanglichen M\u00f6glichkeiten f\u00fcr die Neue Musik besonders gut geeignet. In den letzten Jahren wurde viel mit Spieltechniken experimentiert und neue Notationsformen entwickelt. Das vorliegende Buch wendet sich wie der erste Band als praxis-orientiertes Arbeitshandbuch an Studierende, Sch\u00fcler, Lehrer und Komponisten.<\/p>\n<p><img decoding=\"async\" loading=\"lazy\" class=\"alignright size-medium wp-image-335\" src=\"http:\/\/carinlevine.de\/wordpress\/wp-content\/uploads\/2019\/03\/Bvk_1788_U4-217x300.jpg\" alt=\"\" width=\"217\" height=\"300\" srcset=\"https:\/\/carinlevine.de\/wordpress\/wp-content\/uploads\/2019\/03\/Bvk_1788_U4-217x300.jpg 217w, https:\/\/carinlevine.de\/wordpress\/wp-content\/uploads\/2019\/03\/Bvk_1788_U4.jpg 600w\" sizes=\"(max-width: 217px) 100vw, 217px\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Baerenreiter Verlag ISBN 978-3-7618-1788-9 Because of their versatility in creating a wide array of sounds, the piccolo, alto and bass flutes are, like the C flute, also exceptionally well adapted to the challenges of new music. Recent years have seen the development of new forms of notation and experimentation with many new performance techniques. Like &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/carinlevine.de\/wordpress\/the-techniques-of-flute-playing-ii\/\" class=\"more-link\"><span class=\"screen-reader-text\">\u201eThe Techniques of Flute playing II\u201c <\/span>weiterlesen<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/carinlevine.de\/wordpress\/wp-json\/wp\/v2\/pages\/340"}],"collection":[{"href":"https:\/\/carinlevine.de\/wordpress\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/carinlevine.de\/wordpress\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/carinlevine.de\/wordpress\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/carinlevine.de\/wordpress\/wp-json\/wp\/v2\/comments?post=340"}],"version-history":[{"count":5,"href":"https:\/\/carinlevine.de\/wordpress\/wp-json\/wp\/v2\/pages\/340\/revisions"}],"predecessor-version":[{"id":396,"href":"https:\/\/carinlevine.de\/wordpress\/wp-json\/wp\/v2\/pages\/340\/revisions\/396"}],"wp:attachment":[{"href":"https:\/\/carinlevine.de\/wordpress\/wp-json\/wp\/v2\/media?parent=340"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}